Drive up Bishop's Lodge Road to Shidoni
to visit our Bronze and Arts Galleries and stroll through our eight acres of Sculpture Gardens.
Tuesday - Saturday
9am - 5pm
Friday
10am-5pm |
|
|
Gabriel Allan
"The Messenger"
What is to Live Light Must Endure Burning
54 x 54 x 78
inches |
|
|
|
|
Spinner
77 x 43 x 38
inches |
|
|
|
|
Susan Pascal Beran
Spaceship "X" S.S.
Stainless Steel
88 x 34
inches
|
|
|
|
|
Carl Berney
Crysallis
Colorado White Marble
40 1/2 x 18 x 12
inches
|
|
|
|
|
Ross Brown
Key Stone Light Shadow Monument
Mixed Media
78 x 37 x 14
inches
|
|
|
|
|
Danville Chadbourne
The Lure of Spontaneous Division
Stoneware, Stone
85 1/2 x 15 x 14 inches
|
|
|
|
Danville Chadbourne
The Natural Liberation of the Source
Stoneware, Stone
87 1/2 x 22 x 18
inches
|
|
|
|
Steven Derks
Circa Articulations
Steel
140 x 60 x 49
inches
|
|
|
|
Steven Derks
Rusted Steel
Steel
140 x 48 x 48
inches
|
|
|
|
|
Miguel Edwards
Que Viva el Sol - la Vida del Sol
Steel
96 x 60 x 73
inches
|
|
|
|
|
Dan Haynie
Diamonds Diagonal
Mixed Media132 x 48 x 48
inches
|
|
|
|
Dan Haynie
Wiggly Spinner
Mixed Media
|
|
|
|
Alexei Kazantsev
Mermaid, Bench
Stone
20 x 64 x 27
inches
|
|
|
|
Brad Morton
Tower of Hope
Stainless Steel
229 x 24 x 24
inches
|
|
|
|
|
Brad Morton
Water Bearer, Water Feature
Bronze
54 x 29 x 21
inches
|
|
|
|
Donna Quasthoff
Big Horn Sheep, Water Feature
Bronze
24 x 31 x 23
inches
|
|
|
|
Betty Sabo
Kids Fountain Group with Grandparents, Water Feature
Bronze
|
|
|
|
Betty Sabo
Wheel Chair Group
Bronze
|
|
|
|
Gib Singleton
Don Quixote
Bronze
49 1/2 x 38 x 16
inches
|
|
|
|
Gib Singleton
Spirit of the Medicine Man, Large
Bronze
96 1/2 x 34 x 12
inches
|
|
|
|
Jose Varela
Tree Gate, Big
102 x 36 x 60
inches |
|
|
|
Jose Varela
Treasure Gate
117 x 161 x 16
inches
|
|
|
|
Jose Varela
Tree Gate with Birds
96 x 70 x 39
inches
|
|
|
|
Richard MacDonald
Flutist
Bronze
51 x 35 x 22
inches
|
|
|
|
Alex Watts
Awakening To Freedom
Bronze
73 x 73 x 57
inches
|
|
|
|
SCULPTURE
SUPPLIES
Shidoni's Sculpture Supply Store has a large number of hand tools, armatures and wire, calipers and other essentials available for sale.
_________
- Sculpting Tools
- Armature Kits
- Wire
- Oil Based Sculpting Clay
- Shidoni's own blend of Casting Wax
- Victory Brown Wax
- Sprue Wax
- Mold Making Supplies
- Patina Chemicals
- Literature
- Safety Supplies
_________
Be sure to ask about the
‘Convenient Payment Program’
as a way to purchase your new
piece of art.
__________
SHIDONI
1508 Bishop's Lodge Rd.
Santa Fe, NM 87506
505-988-8001
|
|
|
|
|
SHIDONI
MONUMENTAL DESIGNS |
|
|
Dolphins in the Desert
Stainless Steel
83 x 115 x 55
inches |
|
|
|
“What you leave behind is not what is engraved in stone monuments, but what is woven into the lives of others."
― Pericles
|
|
Come join us for a Monumental Summer, and add to your outdoor art collection. As we move into our warmer days, enjoy a stroll in our Galleries or outside in our Sculpture Gardens and have our Art Consultants help you find that perfect piece for your home. With over 140 artists there is so much to choose from, and with new works coming in every week, you'll have plenty to see and enjoy.
Galleries Available Tuesday thru Saturday, from 9am-5pm(MT), and Friday 10am-5pm(MT) write us at
Gallery@shidoni.com, or feel free to call us at 505.988.8001 ext 120.
But if distance separates us, feel free to fulfill your artistic needs on our website at
www.Shidoni.com, we are always prepared to ship around the world at a moment’s notice.
|
|
|
Anthony in the Desert
Galvanized Steel and Copper
|
|
|
|
String 19
Steel
120 x 48 x 48
inches |
|
|
|
|
Aureleo Rosano
Born May 29, 1939 in New Britain, Connecticut to Sicilian parents, with an emphasis on schooling in sciences and mathematics, he is self-taught in the visual arts. In 1960, he left New England for the sunshine and new frontier of Tucson, Arizona where he currently resides. In Arizona, he worked as a dishwasher, house painter, copper miner, apartment owner-manager, and test engineering officer at Hughes Aircraft. He became a steamfitter in 1973 after completing 5-yr apprenticeship, and in 1976 he founded a control systems company, in competition with Johnson Control and Honeywell. His interest in mosaics and sculpture began in childhood and continues to the present, as an expression of his ideas. Primarily working in metal sculpture and Italian or stained glass mosaics, his main goal is to inspire the viewer to stop, look, and think about a common, ordinary idea in an uncommon way. His work is always concerned with strength and permanence where the best metals, glass, and other materials combined into mosaics and sculptural forms, will endure for generations.
|
|
Aureleo Rosano
Plant Forms
|
|
|
|
Aureleo Rosano
Red Strutter
Steel |
|
|
|
Aureleo Rosano
Surprise from the Garden
105 x 27 x 27
inches |
|
|
|
Dewane Hughes
Bad Moon
100 x 47 x 24
inches |
|
|
|
Dewane Hughes
Influenced heavily by the poets of the Beat Generation, as well as subsequent linguistic scholars such as Noam Chomsky and Marshall Mcluhan, he tries to create a formal reality that speaks to the essence of communication. It is his contention that “art” happens in the space between the object and the viewer. Of course we understand from Mcluhan that the method of delivery is as important as the message that is delivered, and it is this concept that directs his many creative decisions, such as material, compositional considerations, etc. However, his creative impetus is more closely akin to the raw and visceral perspective of writers like Lawrence Ferlinghetti, Hurbert Hunke, or of course Allen Ginsberg. This generation used its linguistic skill, with a drive to touch the heart of what was real to them, and created a new lexicon, a perspective of slang, that so too energizes his creative process.
|
|
Dewane Hughes
Disorder in the House
156 x 84 x 72
inches
|
|
|
|
Haiku I
Steel
93 x 43 x 32
inches
|
|
|
|
Rising Sun
Steel
97 x 33 x 20
inches |
|
|
|
High Plains Doo Dah
Steel
107 x 66 x 46
inches
|
|
|
|
Icelandic Lullaby
Steel
168 x 72 x 60
inches
|
|
|
|
Of Two Minds
Mixed Media
119 x 24 x 24
inches |
|
|
|
|
Don Wilson
A Northern New Mexico-based sculptor, furniture maker and sign artist, he found himself growing less intrigued with business and more interested in art projects as his artistic career moved forward. With artistic influences such as Marcel Duchamp, Willem de Kooning and his friend and mentor, sculptor Ted Egri, when he moved to New Mexico a decade ago with its unique environment, Wilson was inspired to shift the materials to fabricate his sculptures and fountains towards the materials of the landscape; used wood, steel, aluminum, and various stones, all which accumulated into pieces that are robust, organic and occasionally humorous.
|
|
Dilemma On a Stick
Steel, Wood
270 x 28 x 16
inches |
|
|
|
Don Wilson
Nine Naked Pagan Nuns Sun Worshipping
228 x 24 x 16
inches |
|
|
|
Don Wilson
Masters of Directions
107 x 25 x 120
inches |
|
|
|
Don Wilson
What's Time to the Desert, Large
222 x 190 x 190
inches |
|
|
|
Esmoreit Koetsier
Movement
Steel
172 x 72 x 65
inches |
|
|
|
Esmoreit Koetsier
Dutch born design engineer with a passion for art, as a child he remembered the presence of artwork in public places that along with his current professional career were the motivating factors in his interest in art. Preferring to work in steel, aluminum and stainless steel, his sculptures reflect experiences in his life or in society, that when combining years of experience in metal fabrication and product development, he achieves the creation of sculptures that range from abstract to industrial. While in school, he spent a semester in Florence Italy, his experience along with traveling throughout Europe deepened his desire to create art that upon his return, he became more and more focused on sculpture. His work ranges in size from small to large scale. He currently works from his home studio in Lake Elsinore California.
|
|
Esmoreit Koetsier
Journey
148 x 82 x 60
inches |
|
|
|
James Dixon
Column
72 x 24 x 24
inches |
|
|
|
|
James Dixon
Born in 1958, he earned his Bachelor of Fine Arts in 1981 and his Master of Fine Arts Degree in 1986 from Colorado State University. With over forty years of artmaking under his belt and as the business owner of JAD, Artist, Illustrator, Sculptor, LLC he had established a local, regional and national recognition for his two dimensional and three dimensional artworks; and has demonstrated a genuine commitment to his profession. Dixon, an accomplished published illustrator has provided cover and insert art for the ever fluctuating music and print industries, including brochures, greetings cards, compact disks, cassette and vinyl recordings and traditional reading materials. His work has been introduced in numerous publications. Including New Art International, LUXE, Colorado Homes and Lifestyles, Rolling Stone Magazine, and Dys Records. Dixon’s sculptures are included in numerous private collections including the Black American West Museum, of Denver, Patti Labelle, Ashford and Simpson, Reverend Jesse Jackson, Hazel Miller, and Cleo Parker Robinson. The Kirkland Museum of Fine and Decorative Arts, of Denver, have acquired six of Dixon’s bronze sculptures for its permanent collection.
|
|
James Dixon
Gifts
33 x 108 x 20
inches |
|
|
|
James Dixon
Pill
132 x 68 x 36
inches
|
|
|
|
|
Joe Barrington
Texas Flora Large
91 x 80 x 96
inches |
|
|
|
Joe Barrington
Born May 10, 1957 he attended the Cisco Junior College, 1975-1977 and Midwestern State University, BFA 1980. He has been exhibited in “Best of Show, Texas Sculpture Association Show” at Las Colinas, 1995, “Art at the Bar Invitational Sculpture Exhibit” Dallas, TX 1988, “Excellence '88 National Juried Sculpture Exhibition” Dallas 1988, “OK USA National Juried Sculpture Exhibition” Lawton, OK 1985, and many more. Major projects that he has worked on are “Sculpture in the Parks, 1st Annual Outdoor Exhibit” in Lubbock, TX 1990, “Abilene Cultural Affairs Council 10th Anniversary Outdoor Sculpture Exhibit” Abilene, TX 1990, and many more in North Carolina, all around Texas, and in New Mexico’s “Annual Outdoor Show at Shidoni” Tesuque, NM 1988-1991.
|
|
Texas Watchdog
Length: 192
inches |
|
|
|
|
Joe Barrington
Texas Spring
144 x 60 x 60
inches
|
|
|
|
|
Texas Flora Small
32 x 34 x 32
inches
|
|
|
|
|
John Ellis
Stories
113 x 44 x 37
inches |
|
|
|
John Ellis
Starting in a small town in southeast Missouri in September of 1956, with formal education never quite working for him, he instead had numerous mentors to whom he owes a great deal of credit to. The main influence in his life and his art is the work of Carl Jung, with his writing and the writing of his followers Ellis had been able to find ways to look at himself in light and darkness, thus allowing him to fabricate stainless steel sculptures that combined his thoughts, feelings, and skills into a form of expression that he thoroughly enjoyed. Though his work is contemporary, the inspiration for the pieces and the shapes and symbols used to form them are very old. He believes that in a world of fast-paced everything, perhaps a look back into the basics of human expression would give us a chance to think anew. It is with that hope that he shares his work with others. |
|
John Ellis
Ordering Chaos #2
47 x 48 x 45
inches
|
|
|
|
|
John Ellis
Tandem
76 x 24 x 41
inches
|
|
|
|
|
John Ellis
Ordering Chaos #1
56 x 36 x 28
inches
|
|
|
|
|
John Simms
Portal
Bronze
156 x 64 x 64
inches |
|
|
|
John Simms
As a lover of transforming heavy metal plate into organic configurations emanating vital strength, he would often wake in the middle of the night full of creative energy and run to the studio as his mind processed and manipulated geometric forms and mathematical surfaces that he would cut, bend, and weld steel into with a passion driven by the need to visually realize what he so clearly saw in his mind. While the maquettes that would originate within such a moment might weigh as much as fifty pounds and would be appreciated by many as a finished piece, it is but a fraction the size of what he envisions any of his pieces as their final form. Aware of the negative spaces only after construction of the piece, he considers them as serendipitous aftereffects, as for him there is so much more to the piece than its structure; so much of the beauty falls in the shadows and the ever changing negative space.
|
|
John Simms
Stainless Dynamo
Aluminum
144 x 72 x 72
inches |
|
|
|
|
Phillip Glashoff
Moo
Mixed Media
80 x 42 x 64
inches |
|
|
|
Phillip Glashoff
As a student of Agriculture Studies at California State Polytechnic University, he began his art career through the medium of sculpture when he wanted to create images that would have lasting impact and presence. Influences connecting him to his background in agriculture took hold as he began to salvage rusty machinery, fire extinguishers, compressor covers, motorcycle tanks, and other industrial farm implements that were abandoned and left for scrap. This wealth of found material became the inspiration for the whimsical sculptures that he is now famous for around the world. Critics and collectors alike find his pieces to be full of both good will and humor; all the while melding the present with the past. |
|
Phillip Glashoff
Hot Dog
Mixed Media
80 x 21 x 19
inches |
|
|
|
Phillip Glashoff
Auntie Gwen Goes to the Opera
Mixed Media
48 x 35 x 22
inches |
|
|
|
Phillip Glashoff
Archer
Mixed Media
66 x 45 x 22
inches |
|
|
|
Phillip Glashoff
Fisherman
Mixed Media
84 x 28 x 26
inches |
|
|
|
Phillip Glashoff
Flowers in Hand
Mixed Media
78 x 18 x 19
inches |
|
|
|
Triceratops Skeleton
Steel
120 x 54
inches
|
|
|
|
|
|